"post-impressionism"
wesh miskine?
aa field of wheat and grass with red, blue, and white flowers and trees. Blue represents confidence, certainty—symbolizes water and rebirth. White represents simplicity. As white clouds raise in the blue sky, confidence is put into check by simplicity and humbleness. The blue is always engulfed in white. The green represents nature and tranquility what's more romantic that that? That's an allusion to the romance period of writing in American literature. Emerson’s Self-Reliance particularly. “Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.” Being misunderstood was the plight of my growing up. I'm not saying I'm great, but this did give me relief when I felt lost and that no one got me. People still misunderstand me. But that makes me cherish those that do understand me. When I was in Maui, I met someone that said they'd never had a bad day in their life. At first I thought,
un chuchote d'un baiser en plein aire encore plein de vie
a field of wheat and grass with red, blue, and white flowers and trees at sunset
un chuchote d'un baiser en plein aire encore plein de vie; effet crépuscule
a field of wheat and grass with red, blue, and white flowers and trees at twilight
un chuchote d'un baiser en plein aire encore plein de vie; effet crépusculaire
a field of wheat and grass with red, blue, and white flowers and trees at midnight
un chuchote d'un baiser en plein aire encore plein de vie; effet minuit
a dark valley through which a river flows lit up by a sunrise
dhikr
bales of hay in a field at sunset
hayba'e, sunset effect
a view of a pink sunrise from a black rock beach in maui
ihsan
a coastline with golen grass under a orange moon
ta‘abbud
a black rock beach overlooking a maui purple sunset
haqq
bales of hay at dusk
hayba'e, dusk effect
a windmill and tulips with large pink clouds
nous gère, effet de cloudscape
a windmill with large tulips under a blue sky
nous gère, effet de jour
an abstract impressionist piece of a black forest under heavy fog
black forest, fog effect
a sketch study of a valley in cuba
cuba, study
a large orange tree
moi aussi
sunlight bursting through a misty fall foliage forest
autumn forest mist, salihat effect
nous brillons plus fort dans le noir
nous brillons plus fort dans le noir, effet d'aube
nous brillons plus fort dans le noir, effet d'après midi
nous brillons plus fort dans le noir, effet crépusculaire
nous brillons plus fort dans le noir, effet d'amour rose
nous brillons plus fort dans le noir, effet du matin
sunflowers
rain forest, sunset effect
vue de Gorenjska, effet d'été crépuscule
wildflowers in the desert at night under an aurora
tell me, baby, what's your story?
a scene of O'ahu, Hawaii of mountains lush with foliage in fog
contemplation
two yellow and pink skulls kissing with gray fall leaves blowing in the wind as a form of streetart
the kiss
a starry milkyway over rows of lavender fields in a mix between post-impressionist and post-expressionist styles
tasneem
delicious rows of magenta tulips leading up to a large windmill under a partly cloudy sky. the journey to a pure state of the highest spiritual state of mindfulness which the artist hopes to achieve to shy away from the haunting distractions and temptations of life.
al safar 'iilla muraqabah
a garden of palm trees overlooking a panoramic view of mountains all under a blue, pink, and purple sky in an Impressionist style. the title ata' or giving in Arabic to represent the act of giving out of the goodness of one's heart solely for the pleasure of God leading towards the reward of giving from God and ultimately the best rewards, uninterrupted giving from God in the hereafter
ata'
a study of the forbidden city in China painted in an Impressionist style. named after a psuedonym for my dear, best friend who has supported me through thick and thin
doc december, study
a banyan tree with wide brances and green foliage. named after dominic brant, a dear supporter of my artwork.
dominic
a field of colorful valleys and a soft-trotten path underneath a bright blue partly cloudy sky with two trees near the side. representative of good things come to those who wait and persevere
patience
a field of colorful valleys and a soft-trotten path underneath a yellow and orange sunrise sky with two trees near the side. representative of good things come to those who wait and persevere
patience, sunrise effect
a field of colorful valleys and a soft-trotten path underneath a purple and yellow sun, nearing the horizon, sky with two trees near the side. representative of good things come to those who wait and persevere
patience, evening effect
a field of colorful valleys and a soft-trotten path underneath a yellow and orange sunset sky with two trees near the side. representative of good things come to those who wait and persevere
patience, sunset effect
a field of colorful valleys and a soft-trotten path underneath a very starry night sky with two trees near the side. representative of good things come to those who wait and persevere
patience, night effect
rows of lavender in a field roling over a hill underneath a partly cloudy sky. named brad after a dear supporter of my artwork
brad
a still life of a blue bowl with two handles and plums
plums
a cherry blossom branch in a rectangular glass on a pink surface with a blue background
blossomy branch
detailed black roses and wildflowers in a cup in front of a blue background
kelcie
a puff of smoke with a shape of a skull in a post-impressionist style
i'll never be lost again, smoke monster effect
a daytime version of an abstract series of a field with a tree under a blue sky. the title roughly translate to the effect being the bomb or awesome
jour, l’effet de cartonné
a more abstract especially in colors of a field of flowers and a tree in neon aquamarine green blues under a magenta sky. the title coming from that maddening nature of it all
frappadingue
a tropical installment of the latest abstract series with a warm yellow sky and lush greens
the effect of the tropics
a blonde short haired woman with flowers covering her face looking at her phone behind a backdrop of messaging dots and read notifications
read
a colourful and lively reflection of flora and foliage in a purple body of water
coucou mon muse; 'jour mon préféré
a cliff with multi-colored flowers overlooking a pathway of flowers leading into and under rose arches. named jannat al'adn or the garden of eden of the garden of everlasting bliss in paradise in Islam. Painted after I left grief, despair, depression, and anxiety lift off my shoulders—my posture straightened, my breast expanded, and my heart softened. after sadness come happiness. Indeed, through difficulty will be ease. The night is darkest before the dawn. Ad astra per aspera.
jannat al'adn
a repainting of a view of argentuil originally by monet of a flowery field with a large tree on the side under a cloudy sky
argentuil, (after Monet)
arches of black roses over a flowing river in a night glow documenting the Islamic concept of Jannah or Paradise and the longing of the artist for Paradise and the liking of black rose arches to be there however with an understanding that Paradise's true beauty is incomprehensible
another night in Paradise
Reminiscent of Manon's first painting in the method process, this instalment in the series features a Starry Night like sky with an second iteration of a full moon more resembling van Gogh's The Starry Night
pardon us, forgive us, have mercy on us (moon 2)
a nude woman twisting at the waist on a light colored blanket and a red, striped pillow over a meadow with black flowers
island breeze—coconuts, peaches, and cherries (after picasso)
valleys lit up by stars; echoing the consetellation cancer, echoing van Gogh, and a night glow of a flowery garden of bushes, trees, and fields
twelfth night
a windmill and a distant river near a purple flowering field underneath a partly cloudy and blue sky. Inspired by a previous painting called 'hope'
windmill way
reminiscent of the subtality of some of Monet's pieces with blending, gentle colors often resembling a foggy scene, Maebil aimed to recreate this effect with a night sky. This is atypical as Monet never painted the night sky and there is few to no understanding of what his implementation of the night sky would be as him and Impressionism featuring capturing light in an ordinary environment over time, which best happens during the day. Manon aimed to blend the subtle colors with dark hues creating a crisp, calm, soothing, and smooth effect. Painted on a day where Maebil felt relieved and woke up that way after some previous concerns and tensions, this painting albiet dark and bleak is a discovery and poise of happiness and peace.
welcome to the [insert corrupt family name] gallery
meant to capture arbitrary color and thick paint at its best as well as the contrasts with land and sky and the idea of being down to earth yet moving forward, this piece is inspired by and contains significant meaning that can't all be discussed now. But in short, this painting represents finding one's self in peace rather than getting lost in expression. Where some of the earlier pieces and most definitely Impressionist pieces in general are meant to capture changing light and movement in an ordinary environment, this is meant to capture changing light and movement in the extraordinary soul. A story of progress, passion, patience, and perseverance. Ideated on the first night of Ramadan 1440 and painted on the first day, this seeks to express contrast yet peace in the new moon fresh night sky then vivid with abstract scattered stars over a thick calm landscape and the blessings, relief, and opportunities to come. From getting lost in a release crowded by emotion to being found in authenticity, compassion, humility, firmness, fitness, and wellness. May we all go on such journeys and find ourselves in progress and becoming continually better versions of ourselves!
bliss
nude ladies in a Pop Art style with the lady on the left expressing 'Hoes Mad'
hoes mad (Les Demoiselles d'Avignon by Picasso in Pop Art style)
rose arches and other flowery foliage reflected in a pond all under an orangey sunrise
la rose qui monte
a house with white flowers and foliage along the sides with a body of water in the middle in a franctionist style
september
a girl made out of coconuts and tree parts looks in the mirror and questions if she is real but sees something less beautiful in the mirror it stands for the modern problem of body dysmorphia in young women
coconut girl/have you ever questioned the nature of your reality
a follow up of the coconut girl series originally shedding light on body dysmorphia now showing rudementally coconut girl on vacation at a pinic table near the top of a mountain over looking the sea meaning she is at peace with who she is and no longer obsessed with the distorted self she saw in the mirror
coconut girl on vacation
a rose arch looking through a rose bush with a pot of roses on a ledge and a stream through the garden refelecting clouds
rose arches, afternoon effect
a rose arch looking through a rose bush with a pot of roses on a ledge with receeding water on a brick path
rose arches, after the rain effect
a rose arch looking through a rose bush with a pot of roses on a ledge and a stream through the garden
rose arches, rainway effect
a landscape of trees and a town under a blue twisting sky reminiscent of work by Sisley and van Gogh
sisley
a study of a scene featuring an island in the middle of a street in front of a building with lights on in a lit street during an Autumn night
untitled
a pointillist painting of a stone pathway leading to a house bordered by flowers some falling on to the pathway with rose arches above leading to a house with green stairs
the sought after garden of the artist, la grande jatte effect
inspired by East Asian art and Monet and van Gogh's love for things Japanese, this painting of lush green mountains over a clear body of water, with a boat are not Japanese in style, but in the same vein
erasure, part 1
inspired by East Asian art and Monet and van Gogh's love for things Japanese, this painting of lush green mountains over a clear body of water, with a boat are not Japanese in style, but in the same vein
erasure, part 2
inspired by East Asian art and Monet and van Gogh's love for things Japanese, this painting of lush green mountains over a clear body of water, with a boat are not Japanese in style, but in the same vein
erasure, part 3
a large green tear coming out of an eye with hair in a pop art style
no woman no cry
a repainting of Picasso's The Dream with a twist featuring a mixed race women caught inbetween not being light enough, not being dark enough, and lost in distraught as represented by the noose around her neck and the broken string of peearls and emeralds ultimately signifying she found peace within herself and is no longer constrained by society's labels
the dream (after Picasso)